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  • aliceA...MY NAME IS ALICE
    A musical revue by Joan Micklin Silver and Julianne Boyd
    Director: David Dayler

    June 1, 2, 7, 8, 9*, 14, 15, 16* 2018

    This compilation of thirty writers and composers provides a vehicle for triple threat actresses to reflect on life as a woman through monologues, scenes, dance, and song. Sometimes reflective, often hilarious, it is wonderful entertainment for women and all who love them.

  • heroesHEROES
    by Gerald Sibleyras
    translated by Tom Stoppard
    Director: Graham Clements

    April 6, 7, 12, 13, 14*, 19, 20, 21* 2018

    In this hilarious and poignant translation, we meet three World War I veterans, each with his own strengths and maladies, who meet together to counter the monotony of their lives in a military hospital. Their cantankerous camaraderie becomes strained when they begin to dream of freedom, and Gustave presents an escape plan.

  • steel magnoliasSTEEL MAGNOLIAS
    by Robert Harling
    Director: Diane Brokenshire

    Jan. 26, 27, Feb. 1, 2, 3*, 8, 9, 10* 2018

    In Truvy's beauty salon in Louisiana, we enjoy the witty repartee, the wise cracks, and acerbic and revealing verbal collisions as we meet the ladies. The loss of one of their members brings a sudden realization of their own mortality, and draws on the underlying strength in their relationships as life goes on.

  • morningIT'S MORNING NOW
    by Dermot Nolan
    Director: David Dayler

    Nov. 17, 18, 23, 24, 25*, 30, Dec. 1, 2* 2017

    In honour of Canada's 150th anniversary, we proudly present a world premiere by a local playwright. This compelling drama explores an astonishing piece of Canadian history - the life and death of Thomas D'Arcy McGee, from Irish fugitive to heroic founding father of Confederation.

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saltwatermoonDavid French - Drama
May 4, 5, 10, 11, 12*, 17, 18, 19*, 2007

It's a splendid moon-filled night at Coley's Point in August, 1926. Eighteen year old Jacob Merder has returned from Toronto to the tiny Newfoundland outport, hoping to win back his former sweetheart, Mary Snow. But Mary has become engaged to wealthy Jerome McKenzie, and she is still hurt and bewildered by Jacob's abrupt departure a year earlier. She will not be easliy wooed. Told outside under the stars, the funny and moving play will warm your heart and put a twinkle in your eye.

thegingameD.L.Coburn - Comedy
February 9, 10, 15, 16, 17*, 22, 23, 24*, 2007

Weller Martin and Fonsia Dorsey, elderly residents of a retirement home, form a friendship at the card tables where Weller teaches Fonsia, a novice, how to play the game of gin in their friendly and amusing first encounter. When Fonsia goes on to win that first game, the second and third, and continues to win game after game, Weller's good sportsmanship wears thin, and a situation that had seemed made for romance begins to falter.

miseryleftSteven King, adapted for stage by Simon Moore -Thriller
November 24, 25, 30, December 1, 2*, 7, 8, 9*, 2006

Based on Stephen King's own experience with a crazed fan... a famous writer is dragged from the wreckage of his car by Annie - a nurse. In return for saving his life he must write her a book. If he doesn't, he's a 'dirty-birdie' and doesn't do what nurse tells him, she's going to make him scream and scream...

moonoverbuffaloKen Ludwig - Comedy
September 29, 30, October 5, 6, 7*, 12, 13, 14*, 2006

Charlotte, an aging leading lady and George, a megalomaniac & often drunk leading man, are on tour in Buffalo in 1953. Fate has given these thespians one more shot at starring roles in "The Scarlet Pimpernel" epic and director Frank Capra himself is en route to catch their matinee performance. Will Charlotte appear, or run off with their agent, who has always loved her? Will George be sober enough to stand and move straight, much less emote? Hilarious misunderstandings pile on madcap misadventures, all of which are magnified by their daughter, who is trying to escape the theatre life, but tries to keep the show together, and Charlotte's deaf mother who is the costumer and manages the theatre. Stuffed with comic invention, running gags and a superb sense of absurdity, this is truly a love-letter to live theatre.